从《世阿弥传书》到《匠明》:能乐观演空间尺度体系的传承与演变

From Zeami Densho to Shomei: A Study of Noh Performance Space from the Perspective of Scale Systems

摘要:

本文以日本传统能乐艺术的集大成者、能乐师世阿弥的传书为研究对象，从他在室町时代(1338—1573) 前期对能乐观演空间的言论中分析、总结出世阿弥对能乐观演空间设计尺寸的原理性认识。其后，将世阿弥的设计尺寸理论与江户初期成书的建筑技术书《匠明》中对能乐观演空间的设计尺寸的规定进行比较，考察两者之间的变化。最终，总结了江户时代(17 世纪初)对室町时代能乐观演空间尺寸体系的继承以及演变。

Abstract:

This article explores the biography of the Japanese Noh performer Zeami (1363-1443) and analyzes his understanding of the design of Noh performance space based on remarks he made in the early Muromachi period (1338-1573). Then, the authors compare Zeami’s scale system with that specified in the early-Edo architectural manual Shomei and examine the changes between the two systems.